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Renee O'Brien The pinhole process, staged with an obscure viewing device and an unconventional allotment of time, is a photographic event that is both intuitive and contemplative. The serendipitous nature of pinhole often results in blurred, unclear photographs. The corporal surfaces depicted are not objective descriptions, but subjective renderings of time, experience, emotion, and thought. The selection of photographs for this exhibit represents an ongoing project that explores the yin and yang of places, streets, and community through a tiny pinhole. These images originated from a distressed 35mm Praktica converted to pinhole (lensless camera). The standard lens was removed and replaced with a piece of aluminum foil perforated with a small needlehole aperture or stenope (from the Greek, stenos, meaning narrow or confined). The black and white film was processed in a chemical darkroom and the negatives scanned and printed on archival inkjet paper. Dr. O’Brien completed her Ph.D. in Art Education with a dissertation on photography and aesthetics, The Post-Romantic Vision of Contemporary Pinhole Photographers. She is an Associate Professor of Communications and Media Arts at SUNY Adirondack Community College and a mentor for SUNY Empire State College, Center for Distance Learning.She lives in Hadley, New York with her husband Tom O'Brien, a renowned sculptor and pastel painter. For more artwork:
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